![]() THE VOICE OF BIRDMAN: You know he's right. How about we take a break and come back in fifteen? I mean, as well as the fact that we're already committed to doing Carver. GALIFIANAKIS: Look Mike, this won't work. We'll take the words of a guy who actually knows how to write great plays and we'll all be ourselves. Roo isn't strong enough to lead the gang. NORTON: So like I said, they were really good in their day. They've been doing this for sixteen years. And then they come back down south for a few months to see their women and live it up. They're good at it and they make a packet of money. NORTON: They go up to Queensland every year to cut sugar cane. There are these two cane-cutters, Barney and Roo. ![]() KEATON: Look, what the fuck has this got to do with us? He's only, like, the most important dramatist Australia's ever produced. We should be doing Summer of the Seventeenth Doll. NORTON: Well, I've been thinking about that and I can tell you right now. GALIFIANAKIS: And what should we be doing instead? ![]() NORTON: My point's pretty fucking simple. We're cool, right? Now Mike, why don't you explain your point to us and we'll talk about it? How dare you touch his words? How dare you? How fucking dare you? You're a Hollywood hasbeen who's never written anything in his life. NORTON: I'm telling you, it's shit! Like, who the fuck do you think you are? Raymond Carver was a genius. KEATON: So what I want to know is, what do we talk about when we talk about love? ![]()
0 Comments
Leave a Reply. |